The Boogeyman (2023) Review

The Boogeyman (2023) Review

Rob Savage’s ‘The Boogeyman’, an adaptation of Stephen King’s short story, slots right into the established zeitgeist but makes no attempts to shake up a well-worn path. Review by Kieran Judge.

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Evil Dead Rise (2023) Review

Evil Dead Rise (2023) Review

‘Evil Dead Rise’ (2023) has risen from a possible grave, and it is well and truly groovy. Lee Cronin’s new ‘Evil Dead’ take is efficient and gory. Review by Kieran Judge.

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Assassin Club (2023) Review

Assassin Club (2023) Review

Henry Golding, Noomi Rapace and Sam Neill lead Camille Delamarre’s ‘Assassin Club’ (2023), an insult to brainpower that is impossible to care about. Review by Kieran Judge.

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John Wick: Chapter 4 (2023) Review

John Wick: Chapter 4 (2023) Review

Keanu Reeves returns to take on an all-star cast of villains in ‘John Wick: Chapter 4’, a film better than 90% of action movies being pumped out today. Review by Kieran Judge.

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Luther: The Fallen Sun (2023) Review

Luther: The Fallen Sun (2023) Review

Idris Elba returns as Luther in BBC and Netflix feature film ‘Luther: The Fallen Sun’. Co-starring Cynthia Erivo and Andy Serkis. It’s fun for fans new and old. Review by Kieran Judge.

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Scream VI (2023) Review

Scream VI (2023) Review

‘Scream VI’, the latest instalment in the ‘Scream’ franchise, is one hell of a cinematic horror ride, though it lacks the new direction it promised. Review by Kieran Judge.

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Living (2022) Review

Living (2022) Review

Bill Nighy is utterly astonishing in ‘Living’ (2022), Kazuo Ishiguro’s adaptation of Akira Kurosawa’s 1952 film ‘Ikiru’ about old age and illness. Review by Kieran Judge.

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Where to Start with Steven Spielberg

Where to Start with Steven Spielberg

Answering the question: where should I start with Steven Spielberg? The best entry points into the work of one of Hollywood’s most influential directors. Article by Kieran Judge.

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M3GAN (2023) Review

M3GAN (2023) Review

Aleka Cooper and James Wan follow 2021’s horror hit ‘Malignant’ with ‘M3GAN’, the latest Frankenstein-esque tale of technology gone bad. Allison Williams stars. Review by Kieran Judge.

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