Dolly Parton’s Christmas on the Square (2020) Review
‘Dolly Parton’s Christmas on the Square’, released on Netflix in 2020, has cheese and festivities galore but lacks any form of quality. Charlie Gardiner reviews.
Read More‘Dolly Parton’s Christmas on the Square’, released on Netflix in 2020, has cheese and festivities galore but lacks any form of quality. Charlie Gardiner reviews.
Read More‘Tokyo Godfathers’ (2003), from visionary Anime director Satoshi Kon, is an unlikely Japanese Christmas film with progressive messages and a real heart. Sam Sewell-Peterson reviews…
Read MoreWhy ‘The Muppet Christmas Carol’ Has Become Hard To Watch in the contemporary landscape of inequality according to Annice White.
Read MoreIt has become one of the Christmas holiday season’s most recognisable staples since its release in 2006, but does Nancy Meyers’ ‘The Holiday’, starring Kate Winslet, Cameron Diaz, Jude Law and Jack Black still hold up? Francesca Militello reviews.
Read More“Hi, my name is Annice and I’ve never seen Die Hard.” How a 90s kid somehow missed out on seeing John McClane fight Hans Gruber in the questionably Christmas movie ‘Die Hard’ (1988).
Read MoreThe sorority slasher is back – directed by Sophia Takal and starring Imogen Poots, this remake of Black Christmas is transported to modern times and given a thoroughly feminist spin. Read our review, as written by Sophie Butcher.
Read MoreNational Lampoon’s Christmas Vacation (1989), from screenwriter John Hughes and starring Chevy Chase, is “highly entertaining farce” according to Bradley Weir in his review.
Read MoreLast Christmas (2019) is the George Michael-inspired, festive romcom written by Emma Thompson, directed by Paul Feig and starring Emilia Clarke and Henry Golding. But is it a new Christmas classic? Sophie Butcher reviews…
Read MoreGillian Armstrong’s ‘Little Women’ (1994) starring Winona Ryder is one to “watch during the lazy nights of Christmas and New Year’s Day, underneath a throw with a hot chocolate: man or woman, brothers or sisters” according to Katie Doyle.
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