The Front Room (2024) Review

The Front Room (2024) Review

‘The Front Room’ (2024), from Max and Sam Eggers, is devoid of anything emotionally or intellectually engaging; barely even an A24 film. Review by Kieran Judge.

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Smile 2 (2024) Review

Smile 2 (2024) Review

‘Smile 2’, Parker Finn’s sequel to the box office horror hit ‘Smile’, is one of the most astronomically dull horror films of recent times. Review by Kieran Judge.

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Salem’s Lot (2024) Review

Salem’s Lot (2024) Review

The 2024 feature film Stephen King adaptation ‘Salem’s Lot’, from writer-director Gary Dauberman, is a vampiric shell of its former self. Review by Kieran Judge.

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The Wild Robot (2024) Review

The Wild Robot (2024) Review

Dreamworks Animation’s adaptation of Peter Brown’s children’s book, ‘The Wild Robot’ (2024), is emotional and powerful, an unmissable theatrical experience. Review by Joseph Wade.

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Megalopolis (2024) Review

Megalopolis (2024) Review

Francis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.

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The Substance (2024) Review

The Substance (2024) Review

Coralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.

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Speak No Evil (2024) Review

Speak No Evil (2024) Review

The 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.

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The Critic (2023) Review

The Critic (2023) Review

Ian McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.

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