The Front Room (2024) Review
‘The Front Room’ (2024), from Max and Sam Eggers, is devoid of anything emotionally or intellectually engaging; barely even an A24 film. Review by Kieran Judge.
Read More‘The Front Room’ (2024), from Max and Sam Eggers, is devoid of anything emotionally or intellectually engaging; barely even an A24 film. Review by Kieran Judge.
Read MoreHugh Grant offers one of the best performances of his career in 2024 horror film ‘Heretic’, from Scott Beck and Bryan Woods. Review by Kieran Judge.
Read More‘Smile 2’, Parker Finn’s sequel to the box office horror hit ‘Smile’, is one of the most astronomically dull horror films of recent times. Review by Kieran Judge.
Read MoreThe 2024 feature film Stephen King adaptation ‘Salem’s Lot’, from writer-director Gary Dauberman, is a vampiric shell of its former self. Review by Kieran Judge.
Read MoreDreamworks Animation’s adaptation of Peter Brown’s children’s book, ‘The Wild Robot’ (2024), is emotional and powerful, an unmissable theatrical experience. Review by Joseph Wade.
Read MoreFrancis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.
Read MoreCoralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreAzazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
Read MoreThe 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.
Read MoreIan McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.
Read More