Wonka (2023) Review
Timothée Chalamet might be the only saving grace of Paul King’s barely passable ‘Willy Wonka and the Chocolate Factory’ prequel ‘Wonka’ (2023). Review by Margaret Roarty.
Read MoreTimothée Chalamet might be the only saving grace of Paul King’s barely passable ‘Willy Wonka and the Chocolate Factory’ prequel ‘Wonka’ (2023). Review by Margaret Roarty.
Read More‘Saturday Night Live’ act Please Don’t Destroy transition to the big screen with ‘Please Don’t Destroy: The Treasure of Foggy Mountain;, proving their talents as they do. Review by Mark Carnochan.
Read MoreNatalie Portman, Julianne Moore and Charles Metlon impressively belie their characters in Todd Haynes’ awards frontrunner ‘May December’, a film that is hard to forget. Review by Connell Oberman.
Read MoreGeorge Cukor’s 1933 adaptation of Louisa May Alcott’s “Little Women” starring Katharine Hepburn is perfect for those who may need an umbrella during a sun shower. Review by Margaret Roarty.
Read More‘It’s a Wonderful Knife’ (2023) adds a twist to ‘It’s a Wonderful Life’, creating a technically proficient 90-minute blast of a slasher movie with some real star power. Review by Kieran Judge.
Read MoreDisney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
Read MoreRidley Scott reunites with ‘Gladiator’ star Joaquin Phoenix for historical epic ‘Napoleon’, a film about Napoleon Bonaparte’s conquests that had a lot of potential. Review by Joseph Wade.
Read MoreThere is a universal truth at the core of John Hughes’ ‘Planes, Trains and Automobiles’ (1987), an exercise in empathy that has maintained its potency. Review by Connell Oberman.
Read MoreFor the most part, Eli Roth’s slasher horror ‘Thanksgiving’ (2023) does exactly what it says it’s going to. It gives a good, bloody slasher flick. Review by Kieran Judge.
Read MoreWalt Disney Animation mega-hit ‘Frozen’ is 10, and with a progressive and influential central narrative it maintains its impact and importance. Review by Martha Lane.
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