‘Tinker Tailor Soldier Spy’ at 10 – Review
10 years on from its 2011 release, Tomas Alfredson’s film adaptation of John le Carré’s “Tinker Tailor Soldier Spy” feels more relevant and connective today than ever. Sam Sewell-Peterson reviews.
Read More10 years on from its 2011 release, Tomas Alfredson’s film adaptation of John le Carré’s “Tinker Tailor Soldier Spy” feels more relevant and connective today than ever. Sam Sewell-Peterson reviews.
Read More‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
Read MoreNia DaCosta horror sequel ‘Candyman’ (2021), from producer and co-writer Jordan Peele, starring Yahya Abdul-Mateen II, feels less organic and poised than the original. Kieran Judge reviews.
Read MoreGregory La Cava comedy ‘My Man Godfrey’ (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.
Read More‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
Read MorePhil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
Read MoreSparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.
Read More‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.
Read MoreBolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
Read MoreJim Cummings’ newest offering, ‘The Beta Test’, is a ‘Twilight Zone’ shaped Hollywood rabbit hole filled with murder, mystery, manipulation, data harvesting, consumerism, greed and luxury stationery. Leoni Horton reviews.
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