‘Tinker Tailor Soldier Spy’ at 10 – Review

‘Tinker Tailor Soldier Spy’ at 10 – Review

10 years on from its 2011 release, Tomas Alfredson’s film adaptation of John le Carré’s “Tinker Tailor Soldier Spy” feels more relevant and connective today than ever. Sam Sewell-Peterson reviews.

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The Road Dance (2021) EIFF Review

The Road Dance (2021) EIFF Review

‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.

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85-Year-Old ‘My Man Godfrey’ Is a Crash Course in Comic Perfection

85-Year-Old ‘My Man Godfrey’ Is a Crash Course in Comic Perfection

Gregory La Cava comedy ‘My Man Godfrey’ (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.

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Mad God (2021) EIFF Review

Mad God (2021) EIFF Review

Phil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.

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Annette (2021) EIFF Review

Annette (2021) EIFF Review

Sparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.

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Mandibles (2021) EIFF Review

Mandibles (2021) EIFF Review

‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.

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Here Today (2021) EIFF Review

Here Today (2021) EIFF Review

Bolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.

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The Beta Test (2021) EIFF Review

The Beta Test (2021) EIFF Review

Jim Cummings’ newest offering, ‘The Beta Test’, is a ‘Twilight Zone’ shaped Hollywood rabbit hole filled with murder, mystery, manipulation, data harvesting, consumerism, greed and luxury stationery. Leoni Horton reviews.

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