A trailer for the X-Men spin-off ‘New Mutants’ debuted in late 2017, so where is it? Jacob Davis takes a look at a film long-gestating under the Fox banner ahead of Disney’s purchase of the company in 2019.
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The rights to the Fantastic Four have reverted to Marvel, but what are the lessons they can learn from the other three attempted franchise starters? Jacob Davis takes a look at the “series of fantastic flops” here.
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In Part 4 of her series ‘Movies I Had a Religious/Spiritual Experience With’, Katie Doyle uncovers what it means to be an English Catholic through ‘Becket’ (1964) and ‘A Man for All Seasons’ (1966).
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Laika, the stop-motion animation house behind ‘Kubo and the Two Strings’ and ‘Missing Link’, have been tackling soft subjects in child friendly ways for a decade. Sam Sewell-Peterson takes a look at how they made death and alienation not only digestible but also relatable.
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‘A Clockwork Orange’, the controversial 1971 release from directorial master Stanley Kubrick, has been analysed by Lucas Hill-Paul regarding its themes, reception and delivery in this exclusive retrospective.
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Jordan Peele directed ‘Us’ (2019) “is the best movie of 2019 so far” according to Jacob Davis in his snapshot review.
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Jessie Buckley “simply owns the screen” in Tom Harper’s ‘Wild Rose’ (2019), the tale of a Glaswegian ex-con turned country singer intent on visiting Nashville. Joseph Wade’s review.
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‘Captive State’ (2019), the new film from writer-director Rupert Wyatt starring John Goodman and Machine Gun Kelly, reviewed by Jacob Davis.
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The world's 2nd largest cinema chain, Cineworld, have announced that