The Terminator (1984) Snapshot Review
A film famously made as a result of high-temperature hallucinations, James Cameron created a nerve-twisting nightmare world of surrealist violence and bionic monstrosity.
Read MoreA film famously made as a result of high-temperature hallucinations, James Cameron created a nerve-twisting nightmare world of surrealist violence and bionic monstrosity.
Read More‘Working Girl’ proves that a simple plot can be transformed with a star-studded cast, and reminds us that rom-coms can be a backdrop to an empowering female narrative.
Read MoreBeth Sawdon offers advice on how to make a good book-to-film adaptation, taking lessons from the good and often downright ugly adaptations of the past in this special feature.
Read MoreIt was the lowest grossing weekend of 2018 at the UK box office this past weekend (6-8th July 2018), as ‘The First Purge’ pushed to the top spot and Whitney Houston documentary ‘Whitney’ disappointed. Joseph Wade’s full report, here.
Read More“if ‘Sicario 1’ was a policy changing expose article from the New Yorker, the sequel was like a an hour of Sean Hannity on Fox News.” Our review of the Stefano Sollima movie starring Josh Brolin and Benicio Del Toro.
Read More2001 football Mockumentary ‘Mike Bassett: England Manager’ starring Ricky Tomlinson has some “deliciously witty writing” and is “the perfect cure to World Cup years, be it tears of joy or disappointment”, according to Katie Doyle’s review.
Read MoreA film that entirely encapsulates its title, ‘Overboard’ holds a cast of the decade’s cherished regulars whose performances are sure to smack a smile on the sternest of faces – if they can overlook the whole slave labour kidnapping sub-plot.
Read MoreIn this special feature, Luke Whitticase explores the philosophies of ‘The Incredibles’ and its director Brad Bird, drawing particular parallels with exceptionalism and Randian Objectivism.
Read More2018 Oscar nominee ‘The Breadwinner’ is “a carefully crafted concoction of direction, art and voice-acting [that] squeezes heartbreak, wrath, terror and joy from every frame” according to Katie Doyle’s review of the animated movie.
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