Sexual Assault in Wes Craven’s Filmography
How Wes Craven evolved his presentation and exploration of sexual assault throughout his films, from ‘The Last House on the Left’ to ‘Red Eye’ via ‘Scream’. Essay by Isy Santini.
Read MoreHow Wes Craven evolved his presentation and exploration of sexual assault throughout his films, from ‘The Last House on the Left’ to ‘Red Eye’ via ‘Scream’. Essay by Isy Santini.
Read MoreCoralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreNeil Jordan’s adaptation of Angela Carter’s reworked fairy tale, ‘The Company of Wolves’ (1984) invites us to relive the beauty and horror of growing up. Review by Margaret Roarty.
Read MoreIronically, 2024 Blumhouse horror ‘AfrAId’, from director Chris Weitz, is so formulaic it wouldn’t be surprising to discover that the entire film was written by AI. Review by Kieran Judge.
Read MoreJT Mollner’s ‘Strange Darling’, with cinematography from Giovanni Ribisi and a strong performance from Willa Fitzgerald, is exactly what we should be clamoring for more of. Review by Jacob Davis.
Read More‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.
Read More‘MaXXXine’, the third film in Ti West’s horror film series, is more interested in aesthetics than substance and leaves Mia Goth with not enough room to breathe. Review by Margaret Roarty.
Read More‘The Devil’s Bath’, from writer-director duo Severin Fiala and Veronika Franz, is more a psychological study than a straight horror, a beautifully haunting warning. Review by Lauren Frison.
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