A Haunting in Venice (2023) Review
The third film in Kenneth Branagh’s Poirot series takes a huge step away from Agatha Christie’s source material for this horror film lacking the novel’s magic. Review by Kieran Judge.
Read MoreThe third film in Kenneth Branagh’s Poirot series takes a huge step away from Agatha Christie’s source material for this horror film lacking the novel’s magic. Review by Kieran Judge.
Read MoreSamuel Bodin horror ‘Cobweb’ (2023) is a daring push at formula, a film ever-so-close to being one of cinema’s surprises of the year. Stars Lizzy Caplan. Review by Kieran Judge.
Read More‘The Communion Girl’ (2022) comes all the way from Spain, though it could have come straight from 1980s USA because you’ve seen this film before. Review by Kieran Judge.
Read More‘Sharksploitation’, the shark film Shudder documentary, is a celebration of cinema that highlights real world issues and will give you plenty of films for your watchlists. Review by Kieran Judge.
Read MoreDanny and Michael Philippou of popular YouTube channel RackaRacka have captured the zeitgeist of Gen Z in their supernatural horror ‘Talk to Me’ starring Sophie Wilde. Review by Mark Carnochan.
Read More‘Quicksand’, the 2023 Shudder horror film set in the rainforest of Colombia, has a few rare and fleeting moments but is absent of creativity or enjoyment. Review by Kieran Judge.
Read MorePatrick Wilson takes a huge step behind the camera as he directs ‘Insidious: The Red Door’ (2023), a horror film full of anxiety, apprehension and fear. Review by Jacob Davis.
Read MoreWhere to start with the iconic filmography of horror extraordinaire and giallo specialist Lucio Fulci, the filmmaker behind films such as ‘City of the Living Dead’. Article by Grace Britten.
Read MoreRob Savage’s ‘The Boogeyman’, an adaptation of Stephen King’s short story, slots right into the established zeitgeist but makes no attempts to shake up a well-worn path. Review by Kieran Judge.
Read More‘Evil Dead Rise’ (2023) has risen from a possible grave, and it is well and truly groovy. Lee Cronin’s new ‘Evil Dead’ take is efficient and gory. Review by Kieran Judge.
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