Much maligned by audiences, critics and even the director himself, David Lynch’s 1984 Hollywood adaptation of Frank Herbert’s iconic novel ‘Dune’ remains deserving of cult status. Louis B Scheuer explores why.
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How Jane Campion erotic thriller ‘In the Cut’ (2003) starring Meg Ryan subverted the expectations of the erotic thriller genre and has gone underappreciated for close to two decades. Article by Margaret Roarty.
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How Michael Haneke makes us as much the victims of his world-renowned horror film ‘Funny Games’ as he does his central characters. A feature essay by Jacob Heayes.
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‘New Order’ (2020), from Mexican filmmaker Michel Franco, is “a daunting but very well crafted art-house thriller”. Naian González Norvind stars. Review by Jack Cameron.
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If you’re looking for an independent horror film to watch, the gripping, spooky, gory and unique ‘Fractured’ starring ‘Skins’ star April Pearson would make for a good choice. Sophie Cook reviews.
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How in trying to avoid taking pointers from ‘The Wicker Man’, Ari Aster made the closest thing to it, ‘Midsommar’, and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
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Requiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
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Nika McGuigan and Nora-Jane Noone shine in Cathy Brady’s feature debut ‘Wildfire’, an Irish drama that ponders a lot of topics at the expense of its narrative. Jack Cameron reviews.
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“a great team of characters who forge a distinct and enjoyable chemistry” in Ruben Fleischer’s 2009 zombie hit ‘Zombieland’, starring Jesse Eisenberg and Emma Stone. Libby Briggs reviews.
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The world's 2nd largest cinema chain, Cineworld, have announced that