Sick of Myself (2022) Review
Kristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.
Read MoreKristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.
Read More‘Top Gun: Maverick’ is the biggest hit of 2022 because it’s more than an action movie, it’s a romance flick dedicated to all the things we love, and love, and love again. Essay by Callum McGuigan.
Read MoreIn 2022, the blockbuster sphere’s choices in representation must face more scrutiny, particularly with regard to straightwashing bisexual comic book characters. Essay by Paul Klein.
Read MoreIn ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.
Read MoreMia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.
Read More“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
Read MoreA love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.
Read MoreCooper Raiff uses his films ‘Sh*thouse’ and ‘Cha Cha Real Smooth’ to re-evaluate the limits of masculinity, confronting limited stereotypes to present vulnerability as a strength. Essay by Tina Kakadelis.
Read MoreFor so long, Hollywood has made it seem like only white, cisgender, non-disabled, heterosexual people fall in love. The films of Alice Wu offer condolence for those outside of that box. Essay by Tina Kakadelis.
Read More2022 Judd Apatow comedy ‘The Bubble’, released by Netflix and starring an ensemble of stars led by Karen Gillan, parodies the entertainment industry’s response to the pandemic. Nick Armstrong reviews.
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