Dinesh D’Souza and Richard Spencer walk into a sit-down interview on right wing American politics. Jacob Davis deconstructs ‘The Death of A Nation’ here.
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From the Ridley Scott’s Director’s Cut of ‘Blade Runner’ to Peter Jackson’s ‘Lord of the Rings’ extended editions and right through to the Snyder Cut of ‘Justice League’ – the history of the director’s cut as presented by Sam Sewell-Peterson.
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‘That girl thinks she’s the Queen of the neighbourhood, I got news for you, she is!’ – How Cathy Yan’s ‘Harley Quinn: Birds of Prey’ embraces the Riot Grrrl ethos in its fresh attempts to validate female anger. Article by Leoni Horton.
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Released 10 years ago (2010), Martin Scorsese’s ‘Shutter Island’ has taken on a life of its own to remain a relevant and enticing masterpiece from one of cinema’s greatest. Beth Sawdon explores…
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‘Parasite winning, and winning so big, shows that maybe barriers are being broken down’. Jacob Davis on why ‘Parasite’ winning big at the Oscars 2020 matters.
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The Oscars have renamed their ‘Best Foreign Language Film’ category ‘Best International Feature Film’ in the name of inclusivity – but, as Sophie Butcher discusses, this alone is not enough to improve recognition for world cinema.
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“in the final “Into the unknown” in the chorus, [Elsa] goes so far past the safe notes, way into the enchanted forest. Here the chorus acts as a microcosm for the whole narrative.” – Sophie Cook on why “Into the Uknown” should win Best Original Song at the 2020 Oscars.
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For close to a century, The Academy of Motion Picture Arts and Sciences has been a pillar of open-mindedness and has set benchmarks for inclusion. This article celebrates their otherworldly knowledge and passion that totally isn’t bought or the source of controversy.
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Is ‘1917’ inherently nationalistic? The multi-time Oscar nominee and Golden Globes winner has come under fire from certain sections of the press, but Jacob Davis disagrees with the consensus. Full feature/essay here.
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The world's 2nd largest cinema chain, Cineworld, have announced that