‘A Clockwork Orange’, the controversial 1971 release from directorial master Stanley Kubrick, has been analysed by Lucas Hill-Paul regarding its themes, reception and delivery in this exclusive retrospective.
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“Ellen Ripley stands as one of the first pages torn out of a sexist and archaic rulebook.” From Final Girls to Kickass Women – What Modern Female Protagonists Have in Common with Ellen Ripley.
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Using three examples by filmmakers from three different continents, Sam Sewell-Peterson analyses the cathartic nature of Black Comedy in this special feature.
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21st century Hollywood’s biggest attempt at a video-game-to-movie franchise, Tomb Raider, has left an enduring legacy. Craig Sheldon explores in this special feature.
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When you think of ‘Alien’, you think of Ridley Scott and the Xenomorph, but the man behind the disturbing visuals is H.R. Giger, the artist profiled by Kieran Judge in this article.
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‘The Wandering Earth’ has broken all sorts of records in China and at the worldwide box office. Joseph Wade tackles the significance of this success and why it is successful in this special feature.
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Captain Marvel is Marvel Studios’ first female superhero movie lead, but it has been a long time coming. Craig Sheldon chronicles the development of female action heroes in Hollywood film.
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“A Green Book Oscars win is the cinematic equivalent of burying one’s head in the sand” writes Jacob Davis of its Oscars 2019 Best Picture win in this special opinion piece.
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Jacob Davis goes to task on one of this Oscars season’s most divisive and controversial films, questioning the morals and ethics of Peter Farrelly’s ‘Green Book’.
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Approaching Adam McKay’s Dick Cheney biopic ‘Vice’ from the perspective of someone too young to remember Cheney properly is Jacob Davis.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'