Twister (1996) Review
‘Twister’, the 2nd highest-grossing film of 1996 starring Helen Hunt and Bill Paxton, by way of director Jan de Bont, uses its strengths wisely and a central pair that works. Review by Kieran Judge.
Read More‘Twister’, the 2nd highest-grossing film of 1996 starring Helen Hunt and Bill Paxton, by way of director Jan de Bont, uses its strengths wisely and a central pair that works. Review by Kieran Judge.
Read More‘The Devil’s Bath’, from writer-director duo Severin Fiala and Veronika Franz, is more a psychological study than a straight horror, a beautifully haunting warning. Review by Lauren Frison.
Read MoreOsgood Perkins horror ‘Longlegs’, starring Nicolas Cage in a terrifying role, crafts an experience that lingers in the shadows of the mind. Review by Jake Fittipaldi.
Read MoreMahdi Fleifel’s refugee drama ‘To a Land Unknown’ competed in the Cannes 2024 Un Certain Regard strand, and is an urgent, necessary film. Review by Clotilde Chinnici.
Read More‘Anora’, from filmmaker Sean Baker, won the Palme d’Or at Cannes in 2024, and thanks to a powerful lead performance and open-minded approach, should be considered important. Review by Clotilde Chinnici.
Read MoreFrom some of the creative minds behind ‘Spirited Away’ comes 2024 Netflix anime ‘The Imaginary’, a children’s film for adults that is a little too boring to be a classic. Review by Martha Lane.
Read MoreJames Stewart and George C. Scott are a wonder to behold in Otto Preminger’s strange, uneasy, and altogether brilliant courtroom drama ‘Anatomy of a Murder’ (1959). Review by Kieran Judge.
Read MoreThe latest movie from provocative filmmaker Takashi Miike, ‘Lumberjack the Monster’ (2023), seems lacking the shock factor necessary to gain attention. Review by Lauren Frison.
Read MoreLouisa Connolly-Burnham writes, directs and stars in ‘Sister Wives’, a heartfelt story of control, freedom and expression, co-starring Mia McKenna-Bruce. Review by Kieran Judge.
Read More20 years on from the release of Ryan Gosling and Rachel McAdams romance ‘The Notebook’, its pop culture significance is earned, its performances affecting. Review by Margaret Roarty.
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