The Takedown (2022) Review
Omar Sy, Laurent Lafitte return for Netflix’s ‘The Takedown’ (2022), a forgettable buddy cop film from ‘The Incredible Hulk’, ‘Now You See Me’ director Louis Leterrier. Review by Kieran Judge.
Read MoreOmar Sy, Laurent Lafitte return for Netflix’s ‘The Takedown’ (2022), a forgettable buddy cop film from ‘The Incredible Hulk’, ‘Now You See Me’ director Louis Leterrier. Review by Kieran Judge.
Read MoreSam Raimi takes the reins of ‘Doctor Strange in the Multiverse of Madness’, a sentimental and flashy Marvel movie filled with fan service. Benedict Cumberbatch and Elizabeth Olsen star. Sam Sewell-Peterson reviews.
Read MoreTwenty years on from the release of the tenth ‘Friday the 13th’ movie, ‘Jason X’, this shameless space slasher should at least be saluted for playing into its tropes. Kieran Judge reviews.
Read More10 years on from the UK release of ‘The Cabin in the Woods’ (2011/12), Drew Goddard and Joss Whedon’s self-aware horror doesn’t hit like it used to. Review by Sam Sewell-Peterson.
Read MoreWriter-director Adrián Silvestre is a fly on the wall to document a group of trans women discussing their transitions in ‘Sediments’ (2022). Sam Sewell-Peterson reviews.
Read MoreSonic returns in ‘Sonic the Hedgehog 2’ (2022) to offer “family filmmaking for a new generation”, a funny big screen film starring Ben Schwartz, Jim Carrey and Idris Elba. Review by Joseph Wade.
Read More2022 Judd Apatow comedy ‘The Bubble’, released by Netflix and starring an ensemble of stars led by Karen Gillan, parodies the entertainment industry’s response to the pandemic. Nick Armstrong reviews.
Read MoreJared Leto stars in the long-gestated Sony-Marvel Spider-verse movie ‘Morbius’, from director Daniel Espinosa, and the result is lacking much-needed bite. Sam Sewell-Peterson reviews.
Read MoreRuth Wilson and Tom Burke star in Harry Wootliff’s ‘True Things’ (2022), an erotically-charged drama-thriller adapted from Deborah Kay Davies’ “True Things About Me”. Review by Joseph Wade.
Read More50 years since the release of Francis Ford Coppola’s eponymous gangster film ‘The Godfather’, it maintains its position as one of the greatest American films of all time. Jacob Davis reviews.
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