Windows Into Bong Joon-ho’s ‘Parasite’
Bong Joon-ho’s Best Picture Oscar winning feature ‘Parasite’ (2019/2020) makes spectacular use of windows to establish and reinforce themes. Sam Sewell-Peterson explores in this ‘Parasite’ essay.
Read MoreBong Joon-ho’s Best Picture Oscar winning feature ‘Parasite’ (2019/2020) makes spectacular use of windows to establish and reinforce themes. Sam Sewell-Peterson explores in this ‘Parasite’ essay.
Read MoreWhen plot twists work and when they don’t. Kieran Judge explores one of cinema’s most controversial, discussion stirring narrative elements, ruminating on some of the form’s best and most famous examples.
Read MoreHow the films of the likes of John Woo and Wong Kar-wai have illustrated the identity crisis and cultural anxieties of Hong Kong during the state’s rich history of cinema.
Read MoreFamed German Expressionism horror-thriller ‘The Cabinet of Dr. Caligari’ turns 100 years old in 2020, but is it still relevant? Jacob Davis explores Germany’s first massively popular German export here.
Read More‘That girl thinks she’s the Queen of the neighbourhood, I got news for you, she is!’ – How Cathy Yan’s ‘Harley Quinn: Birds of Prey’ embraces the Riot Grrrl ethos in its fresh attempts to validate female anger. Article by Leoni Horton.
Read MoreThe Oscars have renamed their ‘Best Foreign Language Film’ category ‘Best International Feature Film’ in the name of inclusivity – but, as Sophie Butcher discusses, this alone is not enough to improve recognition for world cinema.
Read MoreFor close to a century, The Academy of Motion Picture Arts and Sciences has been a pillar of open-mindedness and has set benchmarks for inclusion. This article celebrates their otherworldly knowledge and passion that totally isn’t bought or the source of controversy.
Read MoreAfter a quarter of a century on the big screen, why does Richard Linklater’s seminal romantic piece ‘Before Sunrise’ still resonate with audiences? Joseph Wade explores.
Read MoreBaz Luhrmann exercises postmodernism in his work through his instantly recognisable work in adaptation and reimagining, including in his three most iconic pieces, a postmodern trilogy explored by Sophie Cook.
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