Zombieland (2009) Review
“a great team of characters who forge a distinct and enjoyable chemistry” in Ruben Fleischer’s 2009 zombie hit ‘Zombieland’, starring Jesse Eisenberg and Emma Stone. Libby Briggs reviews.
Read More“a great team of characters who forge a distinct and enjoyable chemistry” in Ruben Fleischer’s 2009 zombie hit ‘Zombieland’, starring Jesse Eisenberg and Emma Stone. Libby Briggs reviews.
Read MoreBrian De Palma’s impeccably acted prohibition Noir, ‘The Untouchables’ (1987) stands the test of time as an at times moving crime thriller. Christopher Connor reviews.
Read MoreThe 25th anniversary of the release of David Fincher thriller ‘Se7en’ (1995) starring Brad Pitt and Morgan Freeman brings into question its quality. Sophia Patfield reviews.
Read MoreCan you believe that it has been 10 years since the release of ‘Easy A’? Emma Stone, Stanley Tucci, Amanda Bynes and more star in Will Gluck’s version of “The Scarlet Letter”, reviewed by Martha Lane.
Read More‘Memories of Murder’ (2003), from ‘Parasite’ director Bong Joon-ho, has been re-released in 2020. Sam Sewell-Peterson reviews what is one of South Korea’s greatest ever films.
Read MoreDespite often being overlooked in the canon of great Stanley Kubrick films, 1975 period drama/historical epic ‘Barry Lyndon’ is a must-watch for anyone interested in the form. Christopher Connor reviews.
Read MoreBy the time of his fifth feature, Wes Anderson had found his feet as an auteur, ‘The Darjeeling Limited’ (2007) becoming one of his best ever according to Sophia Patfield.
Read MoreCléo from 5 to 7 (1962), from screenwriter-director Agnès Varda, the only female film director of the French New Wave, is filmed with love rather than contempt according to Eve O’Dea in this review.
Read MoreReleased in the midst of the Disney Animation renaissance period, ‘Mulan’ (1998) remains an entry with visual flair and top voice acting performances despite dated aspects. Sam Sewell-Peterson reviews.
Read MorePositioned between ‘Election’ and ‘Sideways’, 2002’s ‘About Schmidt’ makes for a peculiar entry into Alexander Payne’s work, but is anchored by a phenomenal Jack Nicholson lead performance.
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