In a Violent Nature (2024) Review
Chris Nash evokes Malick and van Sant in his 2024 horror film ‘In a Violent Nature’, an immersive experience worth seeing in a theater setting. Review by Lauren Frison.
Read MoreChris Nash evokes Malick and van Sant in his 2024 horror film ‘In a Violent Nature’, an immersive experience worth seeing in a theater setting. Review by Lauren Frison.
Read More‘The Strangers’ worked because it was so minimal, the reboot/reimagining ‘The Strangers: Chapter One’ fails because it explains too much and concentrates on setting up two sequels. Review by Kieran Judge.
Read MoreThe only time 2024 film ‘Tarot’ is bearable is when it’s laughing at itself. Spenser Cohen and Anna Halberg direct Jacob Batalon and more in this bad PG13 horror. Review by Kieran Judge.
Read MoreNow 70 years old, Alfred Hitchcock’s tense thriller ‘Dial M for Murder’ (1954), starring Grace Kelly, is a better picture than most other directors could dream of. Review by Kieran Judge.
Read MoreIf George Miller is a god, and movie theatres our church, then ‘Furiosa: A Mad Max Saga’ is punishment for our sins. ‘Furiosa’ (2024) review by Mark Carnochan.
Read More‘Run Lola Run’ is a film all about consequences. Tom Tykwer’s renowned German film (aka ‘Lola Rennt’), starring Franke Potente, is well shot, paced and scripted. Review by Martha Lane.
Read MoreAnne Hathaway stars in ‘The Idea of You’, an age gap romance fantasy that avoids saying anything real but is better than it needs to be. Review by Margaret Roarty.
Read More‘Kingdom of the Planet of the Apes’ (2024) seeks to update the classic ‘Planet of the Apes’ franchise for a new generation, and it looks fantastic in doing so. Review by Sam Sewell-Peterson.
Read MoreAn ensemble cast bring to life criminals stuck in a horrifying situation in ‘Abigail’ (2024), a film that tries to be multiple things but falls short of being any. Review by Rob Jones.
Read MoreZendaya, Mike Faist and Josh O’Connor star in the erotically charged tennis drama ‘Challengers’ (2024), an at times exhilarating but often underwhelming film from Luca Guadagnino. Review by Margaret Roarty.
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