Suspiria (2018) Review
Luca Guadagnino’s 2018 ‘Suspiria’ film places a new focus on the story first told on screen by Dario Argento in 1977. Film stars Dakota Johnson, Tilda Swinton. Review by Mark Carnochan.
Read MoreLuca Guadagnino’s 2018 ‘Suspiria’ film places a new focus on the story first told on screen by Dario Argento in 1977. Film stars Dakota Johnson, Tilda Swinton. Review by Mark Carnochan.
Read MoreAna de Armas gives the performance of a lifetime as Marilyn Monroe in Andrew Dominik’s Netflix biopic ‘Blonde’ (2022), a film that wastes her potential. Review by Kieran Judge.
Read MoreBehind the scenes controversy surrounds the release of Olivia Wilde’s ‘Don’t Worry Darling’ (2022) starring Florence Pugh, Harry Styles, a film that squanders its potential. Review by Kieran Judge.
Read MoreTen years on from its release, Stephen Chbosky’s film adaptation of his own novel ‘The Perks of Being a Wallflower’ still offers a warm embrace. Review by Kae M.
Read More‘Kintsugi’ is “a beautiful little original animation” from Sugar Animation Studios and director Cleto Acosta-McKillop, “a wonderful creation”. Short film review by Kieran Judge.
Read MoreHalina Reijn makes a name for herself amongst the horror-comedy fanbase with ‘Bodies Bodies Bodies’ (2022), a pointed and funny Gen Z fable. Review by Morgan Barr.
Read MorePaul Thomas Anderson’s ‘The Master’, starring Joaquin Phoenix, Philip Seymour Hoffman and Amy Adams in Oscar-nominated performances, is 10 years old. Review by Rachael Norris.
Read MoreRobert Zemeckis (‘Back to the Future’, ‘Forrest Gump’) reimagines classic Walt Disney Animation ‘Pinocchio’ in CG/live-action for Disney Plus. Review by Sam Sewell-Peterson.
Read MoreKogonada takes inspiration from Hirokazu Koreeda for his “exceptionally beautiful” 2022 film ‘After Yang’ starring Colin Farrell as the father of a young robot. Review by Mark Carnochan.
Read MoreJohn Michael McDonagh returns to form with ‘The Forgiven’ starring Ralph Fiennes and Jessica Chastain, an upper class couple who accidentally kill a Moroccan boy. Review by Mark Carnochan.
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