‘The Adventures of Robin Hood’ at 85 – Review

‘The Adventures of Robin Hood’ at 85 – Review

Director Michael Curtiz and star Errol Flynn bring Robin Hood to life in the greatest ever film adaptation of the British legend, a Technicolor masterpiece. Review by Sam Sewell-Peterson.

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‘Speed Racer’ at 15 – Review

‘Speed Racer’ at 15 – Review

15 years on from the release of the Wachowskis’ ‘Speed Racer’, the all-star anime adaptation is rightly undergoing some critical reappraisal. Review by Sam Sewell-Peterson.

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‘Vertigo’ at 65 – Review

‘Vertigo’ at 65 – Review

Alfred Hitchcock thriller ‘Vertigo’ (1958) is a perfect case study for how perception changes art. Now 65, it is Hitchcock’s greatest achievement. Review by Rob Jones.

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Guardians of the Galaxy Vol. 3 (2023) Review

Guardians of the Galaxy Vol. 3 (2023) Review

James Gunn brings the Guardians of the Galaxy’s journey to an immensely satisfying and appropriately epic conclusion. Chris Pratt, Bradley Cooper star. Review by Sam Sewell-Peterson.

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Peter Pan and Wendy (2023) Review

Peter Pan and Wendy (2023) Review

Singular director David Lowery turns his hand to the story of Peter Pan in new Disney Plus live-action fantasy film ‘Peter Pan and Wendy’ (2023), starring Jude Law. Review by Sam Sewell-Peterson.

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Evil Dead Rise (2023) Review

Evil Dead Rise (2023) Review

‘Evil Dead Rise’ (2023) has risen from a possible grave, and it is well and truly groovy. Lee Cronin’s new ‘Evil Dead’ take is efficient and gory. Review by Kieran Judge.

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Missing (2023) Review

Missing (2023) Review

‘Missing’ attempts to boost the ‘Screenlife’ trend in the thriller genre, but ultimately peaks too early and outgrows its formula. Review by Rob Jones.

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Air (2023) Review

Air (2023) Review

Air Jordan Nike film ‘Air’ (2023), Ben Affleck’s first directorial feature in more than six years, is a light, well-paced film that subverts traditional boardroom dramas. Review by Grace Laidler.

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Assassin Club (2023) Review

Assassin Club (2023) Review

Henry Golding, Noomi Rapace and Sam Neill lead Camille Delamarre’s ‘Assassin Club’ (2023), an insult to brainpower that is impossible to care about. Review by Kieran Judge.

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