Aliens (1986) Retrospective Review
In his retrospective review of James Cameron’s ‘Aliens’ (1986), Lucas Hill-Paul describes the famous sequel as “a landmark in action-horror”. Read the full piece here.
Read MoreIn his retrospective review of James Cameron’s ‘Aliens’ (1986), Lucas Hill-Paul describes the famous sequel as “a landmark in action-horror”. Read the full piece here.
Read MoreRidley Scott’s ‘Alien’ (1979) pairs “genuine, spine-tingling horror and thematic resonance” to create a classic of horror and sci-fi. Lucas Hill-Paul reviews…
Read MoreHirokazu Koreeda’s Oscar-nominated Foreign Language film ‘Shoplifters’ is “humanist poetry on film”. Review by Sam Sewell-Peterson.
Read MoreOn its 30th Anniversary, Katie Doyle takes a retrospective look at just why When Harry Met Sally has been dubbed the greatest rom-com of all time.
Read MoreIvan Reitman’s 80s classic Ghostbusters proves that deadpan humor (and nuclear-powered blasters) is the best defence against the dead, as Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson rid New York of paranormal pests.
Read MoreYorgos Lanthimos’ ‘The Favourite’ starring Emma Stone, Rachel Weisz and Olivia Colman “is by no means a typical period drama […] but it did offer all of the splendour expected of such a film and was terrifically constructed from top to bottom” according to Joseph Wade in his review.
Read More‘Spider-Man: Into the Spider-Verse’ (2018) is an “electric, atmospheric, festival of colour” and “may even be the best superhero film of 2018” according to Joseph Wade.
Read MorePawel Pawlikowski’s new film ‘Cold War’ (2018), for which the director won Best Director at Cannes, is “a piece of almost indescribable beauty and impact” according to Joseph Wade’s review.
Read MoreA film famously made as a result of high-temperature hallucinations, James Cameron created a nerve-twisting nightmare world of surrealist violence and bionic monstrosity.
Read More2018 Oscar nominee ‘The Breadwinner’ is “a carefully crafted concoction of direction, art and voice-acting [that] squeezes heartbreak, wrath, terror and joy from every frame” according to Katie Doyle’s review of the animated movie.
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