Da 5 Bloods (2020) Review

Da 5 Bloods (2020) Review

“It’s hard to imagine a film more relevant to the past and present being released this year”. Spike Lee’s Netflix Original exploration of PTSD, race and neo-imperialism reviewed by Jacob Davis.

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Get Duked! (2020) Review

Get Duked! (2020) Review

“One of 2020’s best”, Amazon Original Scottish horror-comedy ‘Get Duked!’, is a memorable feature debut for screenwriter-director Ninian Doff. Full movie Review by Mark Carnochan.

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Host (2020) Review

Host (2020) Review

Rob Savage directed Zoom video call horror film ‘Host’ (2020) takes “a simple, economic concept and expands it into something chillingly lasting”. Sam Sewell-Peterson reviews.

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Babyteeth (2020) Review

Babyteeth (2020) Review

Coming-of-age drama ‘Babyteeth’, starring Eliza Scanlen and Toby Wallace, directed by Shannon Murphy, “side-steps every overworked genre cliché”. Full movie review by Leoni Horton.

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The Perfect Candidate (2019) Review

The Perfect Candidate (2019) Review

Monumental filmmaker Haifaa Al-Mansour returns to Saudi Arabia to tell a tale of a woman fighting systemic sexism in ‘The Perfect Candidate’ (2019). Sam Sewell-Peterson reviews.

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The Old Dark House (1932) Review

The Old Dark House (1932) Review

From visionary director James Whale comes the classic Universal Horror movie ‘The Old Dark House’ starring Boris Karloff and a film-stealing performance from Ernest Thesiger. Sam Sewell-Peterson reviews.

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Grand Hotel (1932) Review

Grand Hotel (1932) Review

A jewel of the pre-code era, 1932 Best Picture Oscar winner ‘Grand Hotel’ starring Greta Garbo, John Barrymore and other famous faces is perhaps unfairly misremembered. Eve O’Dea looks to set the record straight in this review.

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A Matter of Life and Death (1946) Review

A Matter of Life and Death (1946) Review

Michael Powell and Emeric Pressburger’s 1946 romantic drama, ‘A Matter of Life and Death’, “is a towering metaphysical masterpiece” of cinema. Sam Sewell-Peterson reviews.

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Caliber 9 (1972) Review

Caliber 9 (1972) Review

‘You Have to Accept It’: Fate and Power in Fernando di Leo’s Milano calibro 9 (Calibre 9, 1972). Review by Paul A J Lewis.

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