Texas Chainsaw Massacre Movies Ranked

Texas Chainsaw Massacre Movies Ranked

All 9 movies from the ‘Texas Chainsaw Massacre’ franchise, from Tobe Hooper’s ‘The Texas Chain Saw Massacre’ (1974) to the 2022 Netflix film via ‘Leatherface’, ranked from worst to best. List by Luke Hinton.

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Capturing Modernity: The Challenge of Portraying the Contemporary World

Capturing Modernity: The Challenge of Portraying the Contemporary World

For the first time in cinema history, the most prominent filmmakers of the day are retreating from portraying modern life. Why is this? And what effect does this have? Essay by Noah Sparkes.

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Making Sense of Alex Garland’s ‘Men’

Making Sense of Alex Garland’s ‘Men’

Understanding the filmmaking intent of Alex Garland: an analysis of Garland’s philosophy and use of iconography in his 2022 feature film ‘Men’. Essay by A. D. Jameson.

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Return to Seoul (2022) Review

Return to Seoul (2022) Review

Park Ji-min embodies someone trying to find their place in the world in Davy Chou’s tale of lost identity, ‘Return to Seoul’ (2022). Review by Jake Gill.

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Sick of Myself (2022) Review

Sick of Myself (2022) Review

Kristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.

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Top Gun: Maverick Is in Love With Companionship, Familiarity

Top Gun: Maverick Is in Love With Companionship, Familiarity

‘Top Gun: Maverick’ is the biggest hit of 2022 because it’s more than an action movie, it’s a romance flick dedicated to all the things we love, and love, and love again. Essay by Callum McGuigan.

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Straightwashing Removes All Rainbows: Removing Bisexuals from Comic Book Films

Straightwashing Removes All Rainbows: Removing Bisexuals from Comic Book Films

In 2022, the blockbuster sphere’s choices in representation must face more scrutiny, particularly with regard to straightwashing bisexual comic book characters. Essay by Paul Klein.

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Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

Is Marvel’s Insistence on Being So Firmly On-The-Nose Rooted in a Distrust of Its Audience?

In ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.

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One Fine Morning (2022) Review

One Fine Morning (2022) Review

Mia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.

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What Film Can Teach Us About Heartbreak

What Film Can Teach Us About Heartbreak

“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.

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