Quentin Tarantino’s 10-film rule is a lesson in restraint that Hollywood could learn a vital lesson from. Here’s why. Essay by Evan Meikle.
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During one of the most significant periods of socio-political change, Frank Perry became a beacon of counter-culture independent filmmaking. Film essay by Lauren Frison.
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Azazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
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‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.
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Where to begin with the work of 21st century New York filmmaker Noah Baumbach, the writer-director behind ‘Marriage Story’, ‘Frances Ha’ and ‘Barbie’. Article by Joseph Wade.
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Ironically, 2024 Blumhouse horror ‘AfrAId’, from director Chris Weitz, is so formulaic it wouldn’t be surprising to discover that the entire film was written by AI. Review by Kieran Judge.
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‘It Ends with Us’ (2024), Justin Baldoni’s adaptation of Colleen Hoover’s novel, is a stylish melodrama carried by vulnerable performances. Review by Margaret Roarty.
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‘Trap’ (2024), from writer-director M. Night Shyamalan, and starring Josh Hartnett as a serial killer trapped at a concert, suffers from a lack of logic and immersion. Review by Joseph Wade.
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Viggo Mortensen waters the bone-dry terrain of the Wild West to create a new hero with his 2024 western ‘The Dead Don’t Hurt’, co-starring Vicky Krieps. Review by Patrick Hayes.
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The world's 2nd largest cinema chain, Cineworld, have announced that