Indiana Jones and the Dial of Destiny (2023) Review

Indiana Jones and the Dial of Destiny (2023) Review

Some will say that Indiana Jones belongs in the past. That he’s too old. That the ideas are overplayed. ‘Indiana Jones and the Dial of Destiny’ (2023) proves those people wrong. Review by Joseph Wade.

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‘WALL-E’ at 15 – Review

‘WALL-E’ at 15 – Review

Still relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.

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No Hard Feelings (2023) Review

No Hard Feelings (2023) Review

Jennifer Lawrence is the key to the good-natured albeit raunchy 2023 comedy ‘No Hard Feelings’, from ‘Good Boys’ director Gene Stupnitsky. Review by John McDonald.

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‘Sleepless in Seattle’ at 30 – Review

‘Sleepless in Seattle’ at 30 – Review

‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.

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Extraction 2 (2023) Review

Extraction 2 (2023) Review

Compared to other Netflix Original films, ‘Extraction 2’ (2023) starring Chris Hemsworth, is a gem. The kind of spectacle Netflix should shoot for. Review by Jacob Davis.

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Elemental (2023) Review

Elemental (2023) Review

Though not one of Pixar’s best films in their beloved canon, Elemental is a heartwarming rom-com with masterful animations that is worth a watch this summer. Review by Emily Nighman.

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The Flash (2023) Review

The Flash (2023) Review

DCEU entry ‘The Flash’ (2023), from Andy Muschietti and starring Ezra Miller and Michael Keaton, is a touching story about loss with adrenaline-fueled highs. Review by Rob Jones.

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‘The Bling Ring’ at 10 – Review

‘The Bling Ring’ at 10 – Review

‘The Bling Ring’ at 10. Sofia Coppola made a timely commentary on celebrity culture and social media that remains relevant today. Stars Emma Watson. Review by Grace Laidler.

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The Boogeyman (2023) Review

The Boogeyman (2023) Review

Rob Savage’s ‘The Boogeyman’, an adaptation of Stephen King’s short story, slots right into the established zeitgeist but makes no attempts to shake up a well-worn path. Review by Kieran Judge.

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