Flee (2022) Review
Riz Ahmed and Nikolaj Coster-Waldau bring ‘Flee’ to the big screen, an animated docudrama about an Afghan asylum seeker that is nominated for 3 Oscars. Review by Joseph Wade.
Read MoreRiz Ahmed and Nikolaj Coster-Waldau bring ‘Flee’ to the big screen, an animated docudrama about an Afghan asylum seeker that is nominated for 3 Oscars. Review by Joseph Wade.
Read MoreA bold and distinct new vision of the Caped Crusader, Matt Reeves’ ‘The Batman’ (2022) starring Robert Pattinson and Zoë Kravitz, reviewed by Sam Sewell-Peterson.
Read MoreDavid Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MorePedro Almodóvar tells of two mothers, Penélope Cruz and Milena Smit, struggling with motherhood and Spain’s past trauma in ‘Parallel Mothers’. Review by Sam Sewell-Peterson.
Read MoreKenneth Branagh “entertains the hell out of you” in his adaptation of Agatha Christie book “Death on the Nile”, leading an all-star cast (including Gal Gadot) as Hercule Poirot. Review by Kieran Judge.
Read MoreNathan Drake arrives on the big screen, Tom Holland and Mark Wahlberg starring in Ruben Fleischer’s film adaptation of ‘Uncharted’ (2022). Review by Christopher Connor.
Read MoreA reunion 12 years in the making, ‘Jackass Forever’ (2022) sees Johnny Knoxville, Steve-O, Chris Pontius and company reunite for a fourth time on the big screen. Review by Joseph Wade.
Read MoreSean Penn directs and stars in ‘Flag Day’ (2022) co-starring daughter Dylan Penn, though it’s a film that doesn’t live up to its potential as a serviceable family drama. Article by Kieran Judge.
Read MoreGuillermo del Toro returns to the big screen with ‘Nightmare Alley’ starring Bradley Cooper and Cate Blanchett, “a visual feast, a pleasure and a joy to behold and watch”. Kieran Judge reviews.
Read MoreThe return of Ghostface to the big screen in ‘Scream’ (2022), for the first time since the passing of creator Wes Craven, is “fun and gory but with a severe identity crisis”. Kieran Judge reviews.
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