Carnival of Souls (1962) Review

Carnival of Souls (1962) Review

Why has Carnival of Souls not become a household name like the other hallmarks of 60s horror? Scott Z. Walkinshaw explains in this review of Herk Harvey’s sole feature.

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The Life Aquatic with Steve Zissou (2004) Review

The Life Aquatic with Steve Zissou (2004) Review

While not as beloved as some of Wes Anderson’s biggest films, The Life Aquatic with Steve Zissou is still a unique and enjoyable entry into the filmmaker’s catalogue. Christopher Connor reviews.

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‘The Wedding Planner’ at 20 – Review

‘The Wedding Planner’ at 20 – Review

How does turn of the century rom-com ‘The Wedding Planner’ hold up at 20? Jennifer Lopez and Matthew McConaughey star, Libby Briggs reviews.

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12 Hour Shift (2020) Review

12 Hour Shift (2020) Review

’12 Hour Shift’, written and directed by Brea Grant, “embraces its trashier elements”, with its commitment to dark humour and excessive brutality being commendable. Rory Doherty reviews.

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Casablanca (1942) Review

Casablanca (1942) Review

Starring Humphrey Bogart and Ingrid Bergman, Golden Era Hollywood romance ‘Casablanca’ is one of the most recognisable films of all time. Joseph Wade offers his retrospective review.

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The Sky Is Still Falling: ‘Donnie Darko’ at 20 – Review

The Sky Is Still Falling: ‘Donnie Darko’ at 20 – Review

Richard Kelly’s debut feature ‘Donnie Darko’, starring Jake Gyllenhaal in a star-making turn, holds a lasting impact and relevance 20 years on from its release. Sophie Butcher reviews.

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Gone with the Wind 80th Anniversary Review

Gone with the Wind 80th Anniversary Review

80 years on from receiving a wide theatrical release at accessible prices, Victor Fleming’s ‘Gone with the Wind’ is equally stunning and controversial. Katie Doyle reviews the film starring Vivien Leigh and Clark Gable.

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Chaplin’s ‘The Kid’ – 100 Year Anniversary Review

Chaplin’s ‘The Kid’ – 100 Year Anniversary Review

Charlie Chaplin’s seminal feature ‘The Kid’ was released 100 years ago in 1921, and remains a “gently thought-stirring 53 minutes of cinema” according to Joseph Wade in this review.

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