Nomadland (2020) BFI LFF Review
“The Journey is one hell of a trip” in Chloé Zhao’s immersive road movie ‘Nomadland’ (2020), featuring arguably the most complex and versatile performance of Frances McDormand’s career. Leoni Horton reviews.
Read More“The Journey is one hell of a trip” in Chloé Zhao’s immersive road movie ‘Nomadland’ (2020), featuring arguably the most complex and versatile performance of Frances McDormand’s career. Leoni Horton reviews.
Read More“Imagine a superhero film that takes aim at the upper middle classes and borrows moments from the work of legendary Soviet-era filmmaker Andrei Tarkovsky”. Never Gonna Snow Again (2020) review by Joseph Wade.
Read More“You’ve never seen blood splatter so pretty” as in Brandon Cronenberg sophomore feature ‘Possessor’ (2020) starring Andrea Riseborough and Christopher Abbott. Leoni Horton reviews.
Read MoreBen Sharrock creates a bittersweet tale of those in need of a place to call home in 2020 refugee drama ‘Limbo’. Leoni Horton reviews this lovingly photographed fish-out-of-water film.
Read MoreIf you’re looking for an independent horror film to watch, the gripping, spooky, gory and unique ‘Fractured’ starring ‘Skins’ star April Pearson would make for a good choice. Sophie Cook reviews.
Read MoreDavid Byrne and Spike Lee burn down the house with this expertly crafted, toes out extravaganza. Shove over “Hamilton”, David Byrne is here. Leoni Horton reviews ‘David Byrne’s American Utopia’ (2020).
Read MoreHow in trying to avoid taking pointers from ‘The Wicker Man’, Ari Aster made the closest thing to it, ‘Midsommar’, and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
Read MoreWhen illness and reality take over, Rose and Sam must find a way to survive in the wilderness with only their love for each other to keep them safe. Charlie Gardiner reviews Rose: A Love Story (2020) starring Sophie Rundle and Matt Stokoe.
Read MoreRequiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
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