How in trying to avoid taking pointers from ‘The Wicker Man’, Ari Aster made the closest thing to it, ‘Midsommar’, and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
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When illness and reality take over, Rose and Sam must find a way to survive in the wilderness with only their love for each other to keep them safe. Charlie Gardiner reviews Rose: A Love Story (2020) starring Sophie Rundle and Matt Stokoe.
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“a great team of characters who forge a distinct and enjoyable chemistry” in Ruben Fleischer’s 2009 zombie hit ‘Zombieland’, starring Jesse Eisenberg and Emma Stone. Libby Briggs reviews.
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Natalie Erika James takes a lead pipe to the glass ceiling with this horror debut of the highest class, 2020 BFI London Film Festival entry ‘Relic’ starring Emily Mortimer, being “a genuine triumph”. Joseph Wade reviews.
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Sequels are infamously difficult to get right, but McG is out to prove a point with ‘The Babysitter: Killer Queen’. Was he able to overcome the sequel curse? Mark Carnochan reviews.
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Why the politics, special effects, music and themes of horror movies in the 1980s make for the best decade in the history of the genre. Article by James Harris.
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Rob Savage directed Zoom video call horror film ‘Host’ (2020) takes “a simple, economic concept and expands it into something chillingly lasting”. Sam Sewell-Peterson reviews.
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Harry Kümel directed, internationally flavoured horror ‘Daughters of Darkness’ (1971) is a cryptic horror with plenty to offer visually and a notable performance from Delphine Seyrig. Eve O’Dea reviews.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'