What was once a death nail to any film actor’s career now seems like a more enticing proposition as film actors embrace tv, giving the small screen a bigger draw and changing the industry.
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5 reasons Lee Royle loves Wes Anderson’s ‘The Grand Budapest Hotel’ and believes that you should love the movie too.
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The advances of Video on Demand service Netflix into the realms of original programming and film distribution offers a very real threat to Hollywood. Lee Royle explores.
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Mark Battle’s ‘Here Lies Joe’ (2016), a short film about a man’s struggle with depression, is “poignant and raw” according to James Cullen’s review.
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Nazi propaganda film ‘The Triumph of the Will’ is analysed for its effectiveness as a documentary and comparisons are drawn to contemporary politics in James Cullen’s informative film essay.
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‘Hidden Figures’ (2017), one of the Oscars’ Best Picture nominees, telling the tale of some of the black women who took the US to the moon, has been reviewed by Elle Cole.
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#52FilmsByWomen is the subject of our latest guest publication as Gemma Pecorini Goodall outlines her testing attempt to watch a female-led film each week of the year.
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What draws us to Christmas-themed horror films? James Cullen takes a look in this special seasonal piece.
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Take a special look back at the history of cinema’s relationship with the bomb in this special guest publication from Closer To Midnight’s Ben Taylorson.
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‘Freeheld’ (2016) is a ‘fierce and overwhelming fight for equality’ according to Sally McAllister in her review of the movie starring Ellen Page & Julianne Moore, here.
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The world's 2nd largest cinema chain, Cineworld, have announced that