Funny Games and the Victimisation of the Audience
How Michael Haneke makes us as much the victims of his world-renowned horror film ‘Funny Games’ as he does his central characters. A feature essay by Jacob Heayes.
Read MoreHow Michael Haneke makes us as much the victims of his world-renowned horror film ‘Funny Games’ as he does his central characters. A feature essay by Jacob Heayes.
Read MoreHow in trying to avoid taking pointers from ‘The Wicker Man’, Ari Aster made the closest thing to it, ‘Midsommar’, and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
Read MoreRequiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
Read MoreA journey into Italian Peplum, the cinema of mythical gods, muscle-bound heroes, sorcery and loincloths, as presented by Paul A J Lewis.
Read MoreThe story of Jeremy Silman, the International Master of Chess uncredited with work on ‘Harry Potter and the Philosopher’s Stone’ and that iconic chess scene. Article by Kieran Judge.
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