‘Blue My Mind’ and New Female Monsters
‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
Read More‘Blue My Mind’ cathartically redefines the old-fashioned film logic that pain must be felt in the coming-of-age period and thus redefines the rulings of the monstrous feminine. Essay by Grace Britten.
Read MoreIn ‘Doctor Strange in the Multiverse of Madness’, Marvel, writer Michael Waldron and director Sam Raimi, tell rather than show. Is this because they don’t trust us to understand film language? Essay by Callum McGuigan.
Read More“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
Read MoreA love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.
Read MoreCooper Raiff uses his films ‘Sh*thouse’ and ‘Cha Cha Real Smooth’ to re-evaluate the limits of masculinity, confronting limited stereotypes to present vulnerability as a strength. Essay by Tina Kakadelis.
Read MoreHow Steven Spielberg’s direction helped to make the visual effects on ‘Jurassic Park’ (1993) not only revolutionary but the Gold Standard of Hollywood CGI. Article by Joseph Wade.
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