The Importance of Expressionism in ‘Raging Bull’
How the expressionist techniques of Martin Scorsese’s ‘Raging Bull’ (1980) elucidate the extent of Jake LaMotta’s (Robert De Niro) psychological turmoil. Essay by Callum McGrath.
Read MoreHow the expressionist techniques of Martin Scorsese’s ‘Raging Bull’ (1980) elucidate the extent of Jake LaMotta’s (Robert De Niro) psychological turmoil. Essay by Callum McGrath.
Read MoreDisney Animation classics ‘Snow White’, ‘Cinderella’ and ‘Sleeping Beauty’ are revisited by a 9-year-old and her mother, to evaluate what is outdated and what isn’t. Article by Martha Lane.
Read MoreBarry Hines and Mick Jackson constructed a straight-to-television film that depicted the horrors of nuclear annihilation in a terrifying, realistic and lasting manner. Essay by Eleanor Wise.
Read MoreAlfonso Cuarón reimagined how to capture the intensity of war when he crafted his 2006 dystopian masterpiece Children of Men. Here’s how. Essay by Mark Serravalle.
Read MoreIs superhero cinema too reliant upon cameos? Is it taking away from the storytelling? After ‘Spider-Man: No Way Home’, everyone’s doing it. Essay by Ibrahim Azam.
Read MoreDennis Hopper had a career that surfed high art and low culture effortlessly, his last movies ‘Homeless’ and ‘Pashmy Dream’ interesting notes to go out on. Essay by Stephen Lee Naish.
Read MoreHow Marlon Brando’s Method acting enhanced ‘On the Waterfront’ and added nuance and sympathy to his character Terry. Essay by Jacob Davis.
Read MoreKatharine Hepburn saved her career through adapting a new acting style in 1940 rom-com ‘The Philadelphia Story’. This essay explores how and why she did it. By Jacob Davis.
Read MoreJoe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read MoreSteven Spielberg’s ‘Schindler’s List’ and Quentin Tarantino’s ‘Inglourious Basterds’ prove that populist approaches can deal with horrific events with subtlety and introspection. Essay by Robert Mitchell.
Read More