In this special feature, Luke Whitticase explores the philosophies of ‘The Incredibles’ and its director Brad Bird, drawing particular parallels with exceptionalism and Randian Objectivism.
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Filminine’s Vicky Wheeler breaks down the top female-directed films that you should see in January, February and March 2018, including ‘A Wrinkle in Time’ and ‘The Miseducation of Cameron Post’, here.
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Luke Whitticase of Whitty Stuff has described the UK Box Office smash hit ‘Paddington 2’ as “an absolute delight; an utterly charming storybook adventure”. The review…
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Why was ‘Halloween III: Season of the Witch’ absent of its franchise villain Michael Myers? James Cullen explains, and creates a case for reconsidering III’s quality, in this special feature.
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New Jo Nesbø movie adaptation, ‘The Snowman’ (2017) starring Michael Fassbender, is “an ineptly made mess” according to Cold Coffee Press writer Stephen Porzio in his review.
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Why is the female body the future’s prop in ‘Blade Runner 2049’? Alex Morden Osborne offers her critique of the Denis Villeneuve sci-fi movie here.
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What was once a death nail to any film actor’s career now seems like a more enticing proposition as film actors embrace tv, giving the small screen a bigger draw and changing the industry.
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5 reasons Lee Royle loves Wes Anderson’s ‘The Grand Budapest Hotel’ and believes that you should love the movie too.
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The advances of Video on Demand service Netflix into the realms of original programming and film distribution offers a very real threat to Hollywood. Lee Royle explores.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'