Once thought lost to an underhanded “distributor”, the story of how Scottish cult horror movie ‘Blood Junkies’ (1993) found a release is probably even more interesting than the film. Mark Carnochan reviews.
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“It’s been twenty years since Billy Elliot burst onto cinema screens, and its portrait of the North East remains just as moving and inspiring today.” Angel Lloyd reviews ‘Billy Elliot’ (2000).
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Ben Wheatley’s ‘A Field In England’ (2013) is a film “like nothing else” from “one of the most distinctive, original and prolific British filmmakers working today” according to Sam Sewell-Peterson in this review.
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The midpoint of The Cornetto Trilogy, ‘Hot Fuzz’, finds Edgar Wright, Simon Pegg and Nick Frost firing on all cylinders. Christopher Connor reviews.
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Ken Loach and Paul Laverty film ‘Sweet Sixteen’ (2002), telling the tale of a non-educated delinquent in small-town Scotland, packs a tremendously heavy punch. Mark Cornachan reviews.
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‘Adult Life Skills’ (2016) starring Jodie Whittaker has “a certain dressed-down appeal” that indicates writer-director Rachel Tunnard “could be one to watch”. Sam Sewell-Peterson reviews this film about tackling grief and growing up in your 20s.
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2017 Safdie Brothers release ‘Good Time’ starring Robert Pattinson “is a relentless barrage of anxiety and violence”, a thriller shot in 35mm with an “unsettling, naturalistic aesthetic”. Leoni Horton reviews.
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New Michael Dowse buddy cop movie ‘Stuber’ starring Dave Bautista and Kumail Nanjiani is “an enjoyable but far from groundbreaking funny actioner that will come and go about as quick as an Uber driver’s illusive 5-star rating”. Joseph Wade reviews.
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In watching ‘Shaun of the Dead’ – one of the best loved British comedies of the contemporary era – it’s easy to see why the Cornetto Trilogy has proven so popular, and why Wright, Pegg and Frost have had exciting careers. Christopher Connor reviews.
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‘What We Did on Our Holiday’ (2014) is proof you should never judge a book by its cover, this David Tennant and Rosamund Pike starring drama “smashing audience expectations” set by its trailers. Mark Carnochan reviews.
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The world's 2nd largest cinema chain, Cineworld, have announced that