Greta Gerwig’s “anything but ordinary” 2018 awards season headliner ‘Lady Bird’ is a film where the performances of Saoirse Ronan and Laurie Metcalf “are the heart and soul of the film”, according to Jason Lithgo’s review of the Best Picture nominee, here.
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Take a look at Rebecca Seghini’s rundown of the 2018 Best Animation Feature Oscar nominees and their likelihood of taking home Gold in the 2018 edition of The Film Magazine’s The Animation Race.
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Steven Spielberg’s ‘The Post’ (2018) “abandons obvious extravagance to focus its tightly knit story on the nuggets of wonder we can find in the pursuit of truth, those we consider to be truth seekers, and the very idea of truth itself.” Joseph Wade’s review…
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‘Darkest Hour’ (2018) is “so anti-Europe and pro-war that only in 2018 could a film such as this have been made” according to Joseph Wade’s review of the Joe Wright movie starring Gary Oldman, available here.
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Martin McDonagh’s ‘Three Billboards Outside Ebbing, Missouri’ (2017/18) is “a standout of the year as regards performance” that “bleeds into your subconscious” with “dictatorial precision”. Full review:
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‘The Shape of Water’ (2017/18), the new movie from fantasy-horror director Guillermo Del Toro, is a “beautifully crafted whimsical fairy tale” according to Joseph Wade’s review of the film.
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20th Century Fox are beginning a campaign to get ‘War for the Planet of the Apes’ nominated for Best Picture at the 2018 Academy Awards. Full details here.
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Foreign Language Film BAFTA winner & Oscar nominee ‘Toni Erdmann’ (2016/17), a movie about a father using comedy to reconnect with his estranged daughter, has been reviewed by Joseph Wade.
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A roundup of the 89th annual Oscars is available here, including a full list of winners.
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What you need to know about each of this year’s Best Animated Film nominees from the 2017 Oscars, in ‘The Animation Race’ from Rebecca Seghini.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'