‘Cabaret’ at 50 – Review
At fifty years of age, Bob Fosse’s Oscar-winning film adaptation of ‘Cabaret’, starring Liza Minnelli, remains the benchmark for grounded movie musicals. Review by Sam Sewell-Peterson.
Read MoreAt fifty years of age, Bob Fosse’s Oscar-winning film adaptation of ‘Cabaret’, starring Liza Minnelli, remains the benchmark for grounded movie musicals. Review by Sam Sewell-Peterson.
Read MoreGuillermo del Toro’s Oscar-nominated fantasy movie ‘Pan’s Labyrinth’ at 15 – the critically acclaimed 2007 fantasy release re-evaluated. Sam Sewell-Peterson reviews.
Read More75 years after its release, Frank Capra’s Christmas fable ‘It’s a Wonderful Life’ (1946) still connects with those who sacrifice so much of themselves to the greater good. Katie Doyle reviews.
Read More‘Elf’ (2003) is “one of the most perfect examples of a timeless Christmas classic”, in no small part due to the work of director Jon Favreau and breakout star Will Ferrell. Elisabetta Pulcini reviews.
Read More“Every imitation feels pale in comparison” to Disney Animation’s ‘Beauty and the Beast’ (1991), now 30 years old. Sam Sewell-Peterson reviews the Disney Renaissance classic.
Read More2018 stop motion animation ‘Isle of Dogs’ is a loving ode to dog-kind from famed contemporary auteur Wes Anderson, and features an all-star cast. Christopher Connor reviews.
Read More10 years on from its 2011 release, Tomas Alfredson’s film adaptation of John le Carré’s “Tinker Tailor Soldier Spy” feels more relevant and connective today than ever. Sam Sewell-Peterson reviews.
Read More30 years on from the release of Palme d’Or winner ‘Barton Fink’, the Coen Brothers still keep you on your toes in this tale of John Turturro’s movie-bound playwright. Sam Sewell-Peterson reviews.
Read More‘Hell or High Water’, from screenwriter Taylor Sheridan and director David Mackenzie, starring Chris Pratt and Ben Foster, remains gripping and character-rich 5 years on from its release. Sam Sewell-Peterson reviews.
Read MoreThe ‘Starsky & Hutch’ movie reboot tried to offer nostalgia and fan service, as well as attract new fans, and with Todd Phillips at the wheel it made a fine effort. Katie Doyle reviews.
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