Pig (2021) EIFF Review
Nicolas Cage offers one of the performances of his career in ‘Pig’, a debut film from Michael Sarnoski that defies all expectations. Mark Carnochan reviews.
Read MoreNicolas Cage offers one of the performances of his career in ‘Pig’, a debut film from Michael Sarnoski that defies all expectations. Mark Carnochan reviews.
Read MoreJulia Ducournau has become the first woman in over thirty years to win the Palme d’Or at Cannes International Film Festival. Full story and list of winners here.
Read MoreWhen jazz musician Billy Tipton died, it was discovered he was biologically female. Aisling Chin-Yee and Chase Joynt direct documentary ‘No Ordinary Man’, reviewed by Annice White.
Read More‘Rebel Dykes’ is a hugely entertaining and unique documentary about a rebellious lesbian movement that was born out of London’s punk scene in the 1980s. Annice White reviews from BFI Flare.
Read MoreCapturing first love through the female gaze and in an LGBTQ+ setting, ‘My First Summer’ has real potential to become a cult classic. Annice White reviews.
Read MoreA comprehensive breakdown of the 2021 Berlinale winners. Find out which film took home the prestigious Golden Bear award. News story by George Taylor.
Read MoreHeadlined by an unforgettable and unrecognisable performance from Ben Whishaw, ‘Surge’ has a “wild, kinetic energy” that evokes comparisons to ‘Joker’ and ‘Falling Down’. Jack Cameron reviews.
Read MoreAnna Kerrigan writes and directs Steve Zahn and Jillian Bell in the Tribeca award winning family drama ‘Cowboys’, about a trans boy and his family relationships. Jack Cameron reviews.
Read MoreScreenwriter-director Hong Eui-jeong announces himself as a talent to look out for in the future in his feature debut ‘Voice of Silence’, an off-kilter South Korean film starring ‘Burning’ actor Yoo Ah-in. Jack Cameron reviews.
Read MoreMarley Morrison British seaside holiday film ‘Sweetheart’, featuring the debuting Nell Barlow, is a nuanced exploration of sexuality and a modern twist in the realm of British film. Leoni Horton reviews.
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