In the first of a new blog series, our editor Joseph Wade discusses the impact of ‘Interstellar’ on his life and how YouTube channel Like Stories of Old helped him to understand how so many of his favourite films are linked.
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Our spoiler-free review of ‘Avengers: Infinity War’ tags the movie as “unforeseen and unprecedented”, “an event invitation you’re not going to want to pass up on”. Read it here.
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$120million action-monster movie ‘Rampage’ versus $17million horror film ‘A Quiet Place’ at the box office, plus news on the UK performance of ‘The Guernsey Literary and Potato Peel Pie Society’ and the pre-‘Infinity War’ landscape in this week’s UK box office report.
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Netflix and Cannes Film Festival have been embroiled in a bitter debate regarding cinema. Here’s all you need to know about the Netflix versus Cannes debate.
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‘Rampage’ tops the chart, but is it actually financially successful? Which national cinema has become the 3rd biggest in UK cinemas over the past 12 months? Could ‘A Quiet Place’ become the most profitable movie of 2018? Answers to these questions and more in this week’s UK Box Office Report 2018.
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‘A Quiet Place’ becomes a breakout hit, ‘Peter Rabbit’ could be one of 2018’s highest earners, ‘The Greatest Showman’ adds an accolade to its ever-growing list – all in this week’s UK Box Office Report.
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Joseph Wade has described Steven Spielberg’s ‘Ready Player One’ (2018) as “one of the best teenage adventure movies of the past 20 years” and “an instant family classic” in his spoiler free review of the Tye Sheridan movie, here.
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‘Peter Rabbit’ just out-performed Disney Pixar at the box office and grossed more in 3 days than most 2018 releases have in total, while ‘Tomb Raider’ performed way under expectations. We’ve also got news on ‘Finding Your Feet’ and ‘Black Panther’, among others, in this week’s UK Box Office Report.
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Clio Barnard’s ‘Dark River’ focuses on “universal themes of womanhood, hunter versus hunted, righteousness versus evil and the way of nature versus god in a way comparable to the works of one of the silver screen’s greatest ever poets, Terrence Malick” in what Joseph Wade describes as a film that “must be seen by anyone who wishes to support this art form we know and love” in his review.
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The world's 2nd largest cinema chain, Cineworld, have announced that