Introducing the Sour Sweetheart, a new film character archetype to add to the ranks of the Femme Fatale and the Final Girl. She’s got a diary and a gun. Essay by Jessica Grassano.
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Widely regarded as one of the greatest filmmakers ever, Swedish director Ingmar Bergman left an indelible mark on all of cinema. Here’s where to begin with his iconic work. Article by George Taylor.
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Stanley Kubrick’s final film, ‘Eyes Wide Shut’, isn’t about sex. It’s about Christmas. Of all the Christmas movies, it may be the most cynical. Essay by Declan O’Reilly.
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Where to begin with the cinema of Italian Neorealism pioneer and world-renowned Italian filmmaker Vittorio de Sica, one of the most influential screen artists in history. Article by Clotilde Chinnici.
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By reflecting elements of South Korean action cinema, ‘Monkey Man’ distinguishes itself from the formulaic patterns of contemporary Hollywood revenge narratives. Essay by Jake Fittipaldi.
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The 3 career-defining silver screen performances of German-born Golden Era Hollywood star Peter Lorre, a villain and a comic. Article by Kieran Judge.
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Tragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
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The world's 2nd largest cinema chain, Cineworld, have announced that