Escape the Undertaker (2021) Review
WWE and Netflix interactive film ‘Escape the Undertaker’ makes a mockery of WWE Studios releases, offering something actually joyful and well made. Mark Carnochan reviews.
Read MoreWWE and Netflix interactive film ‘Escape the Undertaker’ makes a mockery of WWE Studios releases, offering something actually joyful and well made. Mark Carnochan reviews.
Read MoreDaniel Craig says goodbye to the Bond franchise in Cary Joji Fukunaga’s ‘No Time to Die’ (2021), co-starring Lashana Lynch, Rami Malek, Léa Seydoux. Sam Sewell-Peterson reviews.
Read MoreJake Johnson co-writes and stars in ‘Ride the Eagle’ (2021), the Trent O’Donnell film of a man reconnecting with his deceased mother and makes the most of Covid limitations. Review by Leoni Horton.
Read More‘Delphine’s Prayers’ (2021), from well regarded documentarian Rosine Mbakam, serves as a memoir by its subject, a Belgian immigrant with a traumatic, perspective-shifting story. Sam Sewell-Peterson reviews.
Read MoreCharlotte Ginsborg coronavirus pandemic documentary ‘Songs for the River’ highlights social and political issues from the perspective of a small London community. Sam Sewell-Peterson reviews.
Read MoreInspired by the work of Jean-Luc Godard, Vincent Meessen’s ‘Juste un mouvement’ (2021) documentary on Senegalese left-wing revolutionary Omar Blondin Diop, review. By Sam Sewell-Peterson.
Read MoreThe creative minds behind the “Everybody’s Talking About Jamie” stage musical have adapted the story for the big screen in what may be 2021’s best movie musical. Mark Carnochan reviews.
Read More‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
Read More‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
Read MorePhil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
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