Kill (2023) EIFF Review
Adapted from a short film, Rodger Griffiths’ feature directorial debut ‘Kill’ (2023) leaves you with thoughts of what could have been. Review by Mark Carnochan.
Read MoreAdapted from a short film, Rodger Griffiths’ feature directorial debut ‘Kill’ (2023) leaves you with thoughts of what could have been. Review by Mark Carnochan.
Read More‘Femme’ (2023), from debut feature directors Sam H Freeman and Ng Choon Ping, starring Nathan Stewart-Jarrett and George Mackay is a tightly packed punch of a film. Review by Mark Carnochan.
Read MoreCeline Song offers one of the greatest debut features of all time in ‘Past Lives’ (2023), an achingly beautiful film starring Greta Lee. Review by Mark Carnochan.
Read MoreHope Dickson Leach fails to find consistent standards and a fresh take on Jekyll and Hyde in ‘The Strange Case of Dr Jekyll and Mr Hyde’. Review by Mark Carnochan.
Read MoreIra Sachs’ sex-fused relationship drama ‘Passages’ (2023), starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos, ultimately fails to arouse. Review by Mark Carnochan.
Read MoreJonathan Glazer is set to release his first film since 2013 at the 2023 Cannes International Film Festival. Full line-up of competition films and premieres here.
Read MoreFilmmaker Chandler Levack cleverly takes the familiar coming-of-age formula and creates a fresh, enjoyable film. Stars Isaiah Lehtinen, Romina D’Ugo. Review by Mark Carnochan.
Read MoreRiley Keough and Gina Gammell direct a slow rumination on the aimless lives of two Native Americans in their Cannes and GFF entry ‘War Pony’. Review by Mark Carnochan.
Read More“Truly, a star has been born in Priya Kansara” in Nida Manzoor’s unique British coming-of-age film ‘Polite Society’, a film with all the makings of a smash hit. Review by Mark Carnochan.
Read MoreEmily Watson and Paul Mescal lead ‘God’s Creatures’, the latest high quality film to come from Ireland. “Rich with subtext and brilliant performances.” Review by Mark Carnochan.
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