‘The Crow’ at 30 – Review
Alex Proyas film ‘The Crow’ is shaped by the death of lead actor Brandon Lee, but remains one of the most visually striking and deep comic book movies ever made. Review by Margaret Roarty.
Read MoreAlex Proyas film ‘The Crow’ is shaped by the death of lead actor Brandon Lee, but remains one of the most visually striking and deep comic book movies ever made. Review by Margaret Roarty.
Read More‘I Saw the TV Glow’ (2024), the latest film from filmmaker Jane Schoenbrun, is an enriching viewing experience, like rediscovering a childhood show. Review by Jake Fittipaldi.
Read MoreKiah Roache-Turner horror film ‘Sting’ (2024), starring ‘Furiosa’ actor Alyla Browne, is a fun little film, a 90-minute dash of arachnophobia. Review by Kieran Judge.
Read MoreChris Nash evokes Malick and van Sant in his 2024 horror film ‘In a Violent Nature’, an immersive experience worth seeing in a theater setting. Review by Lauren Frison.
Read More‘The Strangers’ worked because it was so minimal, the reboot/reimagining ‘The Strangers: Chapter One’ fails because it explains too much and concentrates on setting up two sequels. Review by Kieran Judge.
Read MoreThe only time 2024 film ‘Tarot’ is bearable is when it’s laughing at itself. Spenser Cohen and Anna Halberg direct Jacob Batalon and more in this bad PG13 horror. Review by Kieran Judge.
Read MoreNow 70 years old, Alfred Hitchcock’s tense thriller ‘Dial M for Murder’ (1954), starring Grace Kelly, is a better picture than most other directors could dream of. Review by Kieran Judge.
Read MoreIf George Miller is a god, and movie theatres our church, then ‘Furiosa: A Mad Max Saga’ is punishment for our sins. ‘Furiosa’ (2024) review by Mark Carnochan.
Read More‘Run Lola Run’ is a film all about consequences. Tom Tykwer’s renowned German film (aka ‘Lola Rennt’), starring Franke Potente, is well shot, paced and scripted. Review by Martha Lane.
Read MoreAnne Hathaway stars in ‘The Idea of You’, an age gap romance fantasy that avoids saying anything real but is better than it needs to be. Review by Margaret Roarty.
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