The creative minds behind the “Everybody’s Talking About Jamie” stage musical have adapted the story for the big screen in what may be 2021’s best movie musical. Mark Carnochan reviews.
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‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
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‘The Nest’ (2021), from ‘Martha Marcy May Marlene’ director Sean Durkin, features a career-defining Carrie Coon performance that deserves to be seen on the big screen. Charlie Gardiner reviews.
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Phil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
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Sparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.
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‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.
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Bolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
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Jim Cummings’ newest offering, ‘The Beta Test’, is a ‘Twilight Zone’ shaped Hollywood rabbit hole filled with murder, mystery, manipulation, data harvesting, consumerism, greed and luxury stationery. Leoni Horton reviews.
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‘Censor’, the debut movie of Welsh filmmaker Prano Bailey-Bond, is a horror film set within the era of so-called “video nasties”, a “captivating and original story”. Mark Carnochan reviews.
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Nicolas Cage offers one of the performances of his career in ‘Pig’, a debut film from Michael Sarnoski that defies all expectations. Mark Carnochan reviews.
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The world's 2nd largest cinema chain, Cineworld, have announced that