‘Blade Runner’ at 40 – Review
40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.
Read More40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.
Read More‘Men’ (2022), the new film from ‘Ex Machina’ and ‘Annihilation’ director Alex Garland, is either a godsend or a void of nothingness, but never clear. Review by Kieran Judge.
Read MoreEskil Vogt mixes Stephen King with ‘Let the Right One In’ for 2022 Norwegian art-house film ‘The Innocents’, a relatable, “quiet, creeping, and always charged” horror. Review by Kieran Judge.
Read MoreZac Efron stars in Blumhouse’s 2022 Stephen King adaptation ‘Firestarter’, but uninspired filmmaking makes for a bland and derivative experience. Review by Kieran Judge.
Read MoreOmar Sy, Laurent Lafitte return for Netflix’s ‘The Takedown’ (2022), a forgettable buddy cop film from ‘The Incredible Hulk’, ‘Now You See Me’ director Louis Leterrier. Review by Kieran Judge.
Read MoreTwenty years on from the release of the tenth ‘Friday the 13th’ movie, ‘Jason X’, this shameless space slasher should at least be saluted for playing into its tropes. Kieran Judge reviews.
Read MoreRobert Eggers’ third feature film ‘The Northman’ (2022), starring Alexander Skarsgård as a prince intent on revenge for the murder of his father, might be his best yet. Review by Kieran Judge.
Read MoreDavid Blue Garcia brings Leatherface back in Netflix horror film ‘Texas Chainsaw Massacre’ (2022), a sequel to Tobe Hooper’s film with few redeeming features. Review by Kieran Judge.
Read MoreKenneth Branagh “entertains the hell out of you” in his adaptation of Agatha Christie book “Death on the Nile”, leading an all-star cast (including Gal Gadot) as Hercule Poirot. Review by Kieran Judge.
Read MoreSean Penn directs and stars in ‘Flag Day’ (2022) co-starring daughter Dylan Penn, though it’s a film that doesn’t live up to its potential as a serviceable family drama. Article by Kieran Judge.
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