How Music Reframes the Violence in You Were Never Really Here
How the music composed by Jonny Greenwood for ‘You Were Never Really Here’ borrows from Aphex Twin to create a dialogue between character and narrative. Essay by Cole Clark.
Read MoreHow the music composed by Jonny Greenwood for ‘You Were Never Really Here’ borrows from Aphex Twin to create a dialogue between character and narrative. Essay by Cole Clark.
Read MoreHow Anthony Minghella’s ‘The Talented Mr. Ripley’ borrows from Hitchcock and Film Noir to create a phenomenal and tense final sequence. Analysis by Sophie Cook.
Read MoreHow Sofia Coppola crafted one of the most intimate and realistic depictions of romance in her boundary shattering 2003 film ‘Lost In Translation’. Article by Sophia Patfield.
Read MoreAfter success with ‘Shaun of the Dead’ and ‘Hot Fuzz’, Edgar Wright took to North America with his off-kilter adaptation ‘Scott Pilgrim vs. the World’ (2010). Christopher Connor looks back in this retrospective review.
Read MoreNews of a sequel to the 2020 record-breaking video game movie adaptation ‘Sonic the Hedgehog’. Which stars return? Who will direct? Full movie news story here.
Read MoreOnce thought lost to an underhanded “distributor”, the story of how Scottish cult horror movie ‘Blood Junkies’ (1993) found a release is probably even more interesting than the film. Mark Carnochan reviews.
Read More“It’s been twenty years since Billy Elliot burst onto cinema screens, and its portrait of the North East remains just as moving and inspiring today.” Angel Lloyd reviews ‘Billy Elliot’ (2000).
Read MoreThe midpoint of The Cornetto Trilogy, ‘Hot Fuzz’, finds Edgar Wright, Simon Pegg and Nick Frost firing on all cylinders. Christopher Connor reviews.
Read MoreKen Loach and Paul Laverty film ‘Sweet Sixteen’ (2002), telling the tale of a non-educated delinquent in small-town Scotland, packs a tremendously heavy punch. Mark Cornachan reviews.
Read MoreIn watching ‘Shaun of the Dead’ – one of the best loved British comedies of the contemporary era – it’s easy to see why the Cornetto Trilogy has proven so popular, and why Wright, Pegg and Frost have had exciting careers. Christopher Connor reviews.
Read More