Film Essays and Analysis

Funny Games and the Victimisation of the Audience - How Michael Haneke makes us as much the victims of his world-renowned horror film 'Funny Games' as he does his central characters. A feature essay by Jacob Heayes.
How Midsommar and The Wicker Man Hold Much of the Same Wisdom - How in trying to avoid taking pointers from 'The Wicker Man', Ari Aster made the closest thing to it, 'Midsommar', and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
Requiem for an American Dream - Requiem for an American Dream - how Darren Aronofsky's 'Requiem for a Dream' (2000) is about more than just drugs, it's about commodification, capitalism and modernity. Article by Kristina Murkett.
Loincloths, Muscles, Sorcery and the Rock of Uranus: A Journey Into the Realm of the Italian Peplum (c.1958-1965) - A journey into Italian Peplum, the cinema of mythical gods, muscle-bound heroes, sorcery and loincloths, as presented by Paul A J Lewis.
Harry Potter and the Uncredited Creator of That Chess Scene - The story of Jeremy Silman, the International Master of Chess uncredited with work on 'Harry Potter and the Philosopher's Stone' and that iconic chess scene. Article by Kieran Judge.
‘Burning’ and Elusive Truth - How Chang-Dong Lee purposefully obscures the truth in his 2018 mystery 'Burning' to provide one of the most engaging examples of the genre in decades. Article by Jack Cameron.
Hollywood Spectacles – Nerds, Perverts and the Morally Deviant - Bespectacled film characters have long been presented with a number of damaging traits, the least of which is "being a nerd". Ciaran Duncan explores this problematic representation in this feature essay.
Nolan’s Films Are Complex, but Are They Deep? - Famed film director Christopher Nolan has long been a filmmaker who pursues interesting concepts, but are movie releases such as 'Tenet' and 'Inception' actually deep? Louis B Scheuer explores.
Christopher Nolan’s Cinematic Chores: Understanding ‘Tenet’ - Nolan frequently assigns his audience chores, engineering his films in such a way that requires them to participate in each narrative actively. 'Tenet' is no exception. Leoni Horton explores.
Feeling Blue, Facebook? The Colour Symbolism of The Social Network - How David Fincher's Mark Zuckerberg Facebook movie uses colour to evoke meaning and further story. Essay by Kristina Murkett.



Blockbuster Filmmaking and Transmedia Storytelling at the Great Pit of Carkoon - How the Great Pit of Carkoon in 'Star Wars - Return of the Jedi' is an example of commodified transmedia storytelling and blockbuster filmmaking. Essay by Jacob Davis.
CGI Vs Animatronics - In 2020, the debate surrounding the use of CGI versus the use of Animatronics is more divisive than ever. o which is better? Louis B Scheuer explores.
The Little Game of Dogville, and a Philosopher Who Sucks at His Job - Lars von Trier's Bertolt Brecht-inspired film about absent of most elements of set paints a picture of a broken capitalistic system. Cole Clark analyses how in this piece on the movie starring Nicole Kidman and Paul Bettany.
Why Is It So Hard to Make a Good Shark Film? - They did it. We had one. A good shark movie. So why has it been so difficult for anyone else to come close to matching 'Jaws' in the 45 years since its release? Martha Lane breaks it down.
For Only A Fistful Of Dollars – How A Low Budget Western Reinvented the Hollywood Hero - The Sergio Leone directed Spaghetti Western 'A Fistful of Dollars' left an indelible mark on the film industry in a lot of ways, but how it reshaped the male hero may be its biggest. Article by Stephen Vega.
When Love Transcends Time (Travel) - "Time travel [...] can miraculously give characters their happily ever after, snatch it cruelly away, or both." Time travel and love in cinema - an essay by Sam Sewell-Peterson.
The Trickling Influence of ‘Inception’ - How Christopher Nolan hit 'Inception' "mark[ed] the turning of the tide – planting the idea of the more intelligent blockbuster". Article by Aaron Bayne.
Rachel McAdams: The Time-Traveller’s Wife - "I have a question for you Rachel McAdams: where is your agency? And, why do you have such a thing for time-travellers?" - Annice White on Rachel McAdams: the time traveller's wife.
How Music Reframes the Violence in You Were Never Really Here - How the music composed by Jonny Greenwood for 'You Were Never Really Here' borrows from Aphex Twin to create a dialogue between character and narrative. Essay by Cole Clark.
How Every Element in the Final Sequence from ‘The Talented Mr. Ripley’ Works To Create A Wonderfully Disturbing Finale - How Anthony Minghella's 'The Talented Mr. Ripley' borrows from Hitchcock and Film Noir to create a phenomenal and tense final sequence. Analysis by Sophie Cook.