There’s No Place like St. Louis at Christmas - If 'The Wizard of Oz' taught us that there’s no place like home, 'Meet Me in St. Louis' taught us that, actually, there’s no place like St. Louis. Essay by Margaret Roarty.
85-Year-Old ‘My Man Godfrey’ Is a Crash Course in Comic Perfection - Gregory La Cava comedy 'My Man Godfrey' (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.
Prone to Bouts of Mania, Narcissism and Power Failure: Watching High-Rise and Snowpiercer in 2021 - With hindsight and terrifying changes in the real world, Ben Wheatley's 'High-Rise' and Bong Joon-ho's 'Snowpiercer' have been given new power and relevance as socially conscious art. Essay by Sam Sewell-Peterson.
Conjuring Nonsense: Devils Didn’t Make Him Do It - The third 'Conjuring' film reinforces the dangerous myth that the supernatural is somehow responsible for the heinous crimes of humanity, and it's a problem as big as cinema itself. Essay from Jacob Davis.
The Duality of the Female Psyche in ‘Mouthpiece’ - How 'Mouthpiece', created by Amy Nostbakken and Norah Sadava, forges a moving insight into womanhood through its presentation of the duality of the female psyche. Essay by Gala Woolley.
How Did I Fall in Love with this Little Thing Called Cinema? - How an early life encounter with James Cameron's 'Aliens' (1986) shaped The Film Magazine writer Mark Carnochan's love for movies.
Thelma and Louise: The Most Powerful Final Image in Cinema - How the ending to Ridley Scott's 'Thelma & Louise' (1991) is one of the most iconic and powerful in all of cinema, and how it can be interpreted. Essay by Gala Woolley.
DC’s Lightest Movie, Shazam!, Also Contains Its Darkest Moment - In the light-hearted family movie Shazam!, that subverted the tone of the earlier DCEU, David F. Sandberg finds space for a heartbreaking character moment. Article by Rob Gifford.
Netflix’s Business Model Doesn’t Allow for Long-Term Film Success - Netflix Original movies seem to disappear just as soon as they've appeared, and with a new film set to be released during every week of 2021, it's an issue filmmakers should take notice of. Essay by Luke Hinton.
Arrival and the Language of Cinema - In his 2016 science fiction film 'Arrival', director Denis Villeneuve expertly uses the power of cinematic language to take us on a mind bending journey of love, loss, and the inevitability of time. Essay by Margaret Roarty.