‘The Cabin in the Woods’ at 10 – Review - 10 years on from the UK release of 'The Cabin in the Woods' (2011/12), Drew Goddard and Joss Whedon's self-aware horror doesn't hit like it used to. Review by Sam Sewell-Peterson.
‘The Godfather’ at 50 – Review - 50 years since the release of Francis Ford Coppola's eponymous gangster film 'The Godfather', it maintains its position as one of the greatest American films of all time. Jacob Davis reviews.
‘Liar Liar’ at 25 – Review - 'Liar Liar', the 1997 comedy hit, celebrates 25 years since its release on the big screen in 2022, and it remains one of Jim Carrey's great performances. Jamie Garwood reviews.
‘Wayne’s World’ at 30 – Review - Wayne Campbell went from Saturday Night Live to the big screen 30 years ago, Mike Myers starring and co-writing 'Wayne's World' (1992). Retrospective review by Jamie Garwood.
‘Cabaret’ at 50 – Review - At fifty years of age, Bob Fosse's Oscar-winning film adaptation of 'Cabaret', starring Liza Minnelli, remains the benchmark for grounded movie musicals. Review by Sam Sewell-Peterson.
‘Pan’s Labyrinth’ at 15 – Review - Guillermo del Toro's Oscar-nominated fantasy movie 'Pan's Labyrinth' at 15 - the critically acclaimed 2007 fantasy release re-evaluated. Sam Sewell-Peterson reviews.
‘It’s a Wonderful Life’ at 75 – Review - 75 years after its release, Frank Capra's Christmas fable 'It's a Wonderful Life' (1946) still connects with those who sacrifice so much of themselves to the greater good. Katie Doyle reviews.
Elf (2003) Review - 'Elf' (2003) is "one of the most perfect examples of a timeless Christmas classic", in no small part due to the work of director Jon Favreau and breakout star Will Ferrell. Elisabetta Pulcini reviews.
‘Beauty and the Beast’ at 30 – Review - "Every imitation feels pale in comparison" to Disney Animation's 'Beauty and the Beast' (1991), now 30 years old. Sam Sewell-Peterson reviews the Disney Renaissance classic.
Isle of Dogs (2018) Review - 2018 stop motion animation 'Isle of Dogs' is a loving ode to dog-kind from famed contemporary auteur Wes Anderson, and features an all-star cast. Christopher Connor reviews.