Hall of Fame

Poor Things (2023) Review - Emma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe's Doctor, in Yorgos Lanthimos' most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
The Wolf of Wall Street (2013) Review - Martin Scorsese 2013 film 'The Wolf of Wall Street', starring Leonardo DiCaprio, Margot Robbie and Jonah Hill, is a timeless reflection on American wealth. Review by Emi Grant.
Killers of the Flower Moon (2023) Review - 'The Killers of the Flower Moon' is nothing short of a masterpiece from our greatest living filmmaker, Martin Scorsese. Leonardo DiCaprio, Robert De Niro and Lily Gladstone star. Review by Leoni Horton.
‘The Age of Innocence’ at 30 – Review - Thirty years on from the release of Martin Scorsese's 'The Age of Innocence' (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Past Lives (2023) Review - Celine Song offers one of the greatest debut features of all time in 'Past Lives' (2023), an achingly beautiful film starring Greta Lee. Review by Mark Carnochan.



‘The Piano’ at 30 – Review - The first film directed by a woman to win the Cannes Palme d'Or, 'The Piano' by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
‘WALL-E’ at 15 – Review - Still relevant 15 years after it was released, Pixar's 'WALL-E' (2008) is a moral tale but isn't saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Asteroid City (2023) Review - Director Wes Anderson may have been mimicked on TikTok a lot recently, but his latest film 'Asteroid City' is all the proof you need of his genius. Review by Margaret Roarty.
‘Sleepless in Seattle’ at 30 – Review - 'Sleepless in Seattle' has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
‘Jurassic Park’ at 30 – Review - 'Jurassic Park' turns 30. Steven Spielberg's dinosaur classic movie avoids cliché, is driven by character, and is a genre-defining piece even now. Review by Martha Lane.